Today’s top stock advisory idea

 UltraTech Cement: Margin outlook continues to improve

-       UltraTech Cement (UTCEM) continued to improve its costs and margins in 1QFY22; it reported the highest ever EBITDA/unit of INR1,536/t (+8% YoY) during the quarter. Coupled with volume growth of 47% YoY, this led to 59% YoY growth in EBITDA. 

-       Market share gains should continue, aided by the ongoing 20mtpa expansion program, which should drive a 13% volume CAGR over FY21-24E.

-       We estimate a 15%/26% CAGR in consolidated EBITDA/PAT over FY21-23E, driven by a 13% volume CAGR, better realizations, lower operating costs, and lower interest costs.

-       The valuation is reasonable at 13.7x FY23E EV/EBITDA - a 10% discount to its last five years' average. We value UTCEM at 16x FY23E EV/EBITDA to arrive at TP of INR8,770. Reiterate Buy.

Open Demat Account

Stock Advisory

Why Jason Statham Isn't Returning For Fast & Furious 10

Jason Statham won't be returning as Deckard Shaw in Fast & Furious 10 because of scheduling conflicts with the Hobbs & Shaw spinoff.

Jason Statham isn’t going to be playing Deckard Shaw in Fast & Furious 9 for a pretty mundane reason: he was busy filming Hobbs & Shaw. In his series debut in Fast & Furious 6, Shaw quickly established himself as a prominent villain. In a flashback, he’s shown driving Han’s car off the road back in The Fast and the Furious: Tokyo Drift. Following that and a villainous turn in Furious 7, Fate of the Furious went to great lengths to redeem Shaw, ending with Dom making him part of the family despite what he’s done.

Thanks to Jason Statham’s strong performance and unexpected chemistry with Dwayne Johnson’s Luke Hobbs, he was chosen to be one of the leads in the spin-off, Hobbs & Shaw. It was well-received by fans of the series and became one of the top-grossing movies of 2019. Despite its success, the spinoff is the reason that Statham won’t be in F9. While Johnson also had his feud with Vin Diesel that caused problems in Fate of the Furious getting in the way, Statham’s absence from F9 is about mundane Hollywood logistics.

latest bollywood movies

Fast & Furious 10

new bollywood movies

Holi, the festival of colors, has made its impression on numerous Bollywood films as the usher of ecstatic celebration and scenes spangled full of colors. The festival marks the victory of good against evil and is aptly used as a plot device in Bollywood classic movies. A few films have captured the spirit of this festival that marks the triumph of love over hate with nerve-wracking and nail-biting scenes. Some of these scenes have left a mark on the hearts and minds of Bollywood film lovers.

Here, we have compiled a list of the five most memorable and iconic scenes of Bollywood movies based around the festival of Holi.

Sholay:

Amitabh Bachhan, Dharmendra's cult classic and all-round-fantastic movie Sholay (1975) feature quite possibly the most exhilarating Holi scene to be ever put to the big screen. The scene depicts the protagonists of the movie reveling along with the people of Ramgarh before being viciously attacked in a surprise move by Gabbar Singh’s goons.

Yeh Jawani Hai Deewani:

Perhaps no other scene in any Bollywood movie captures the spirit of fantastic joy and fun of Holi quite as well as this scene from Yeh Jawani Hai Deewani. Ranbir Kapoor and Deepika Padukone can be seen to be dancing along with the beats of the song 'Balam Pichkari'. It serves as a precursor to the sharp turn the next scene takes for worse regarding the relationship between the lead roles.

new bollywood movies

bhangra paale movie 2019

MALE 1 ; M1
MALE 2 ; M2
FEMALE ; F

M1 ; Ho ho ho
M2 ; Ho ho ho
M1 ; Bhangra paale aaja aaja
Bhangra paale aaja aaja
M2 ; Bolo bolo bolo zindadee hai kaha
F ; Zindadee vaha tera sang hai jaha
M1 ; Zindagi mile to ise mat khona
ALL ;Jeete je juda humse mat hona
M1 ; Bhangra paale
M2 ; aaja aaja…
F ; O...O..O..
M1 ; Bhangra paale aaja aaja
......

M1 ; Hooooooo
M1 ; Angan me payal khanakegi
Panaghat phir se gayega
F ; Angan me payal khanakegi
Panaghat phir se gayega
M2 ; Muskano ko aramano ko
Kaid na koyi kar payega
F ; Chalke ankhiyo se pyar
Dil huwa bekarar
Nache log magan matavale

M1 ; Bhangra paale aaja aaja
M2 ; Bhangra paale aaja aaja
M1 ; Bolo bolo bolo zindadee hai kaha
M2 ; Zindadee vaha tera sang hai jaha
F ; Zindagi mile to ise mat khona
Jeete je juda humse mat hona
M2 ; Bhangra paale aaja aaja

F ; O..O..O..O
.....

M2 ; HO...
M2 ; Acchai ko kaat sake jo
Aisi koyi talavar kaha
F ; Acchai ko kaat sake jo
Aisi koyi talavar kaha
M1 ; Pyar ko bandi banakar rakh le
Aisi koyi deewar kaha
.....

M2 ; Na ho koyi majbur
Na ho koyi gum se chur
M1 ; Na ho koyi majbur
Na ho koyi gum se chur
F ; Aaja khushiyo ke mele laga le

M1 ; Bhangra paale aaja aaja
M2 ; Bhangra paale aaja aaja
F ; Bolo bolo bolo zindadee hai kaha
M2 ; Zindadee vaha tera sang hai jaha
M1 ; Zindagi mile to ise mat khona
F ; Jeete je juda humse mat hona
M1 ; HO...OOO..OO
F ; OO...OOO...OOO
M2 ; HO...OO..OO

bhangra paale movie 2019

Article 15 Movie Review: Ayushmann Khurrana's Film is Important, Powerful and Superbly Made

Article 15 movie cast: Ayushmann Khurrana, Manoj Pahwa, Kumud Mishra, Isha Talwar, Sayani Gupta, Mohammed Zeeshan Ayyub, Nassar
Article 15 movie director: Anubhav Sinha
Article 15 movie rating: Three stars

Article 15 movie review: Article 15 may have an unsatisfactory element or two, but as a film, it rushes in to tread forgotten grounds. It is what is needed, call it what you will-- a clarion call, a bugle, a shout-out. One of these is the image of a worker, a manual scavenger emerging from a filthy, open sewer, extricating lumps of waste that are clogging the drain. His face and body covered in sludge, he goes back in seconds later to complete the job, one he is condemned to by virtue of his jaat.

There is a lot of talk of aukaat and jaat in Article 15. The film’s title refers to the provision in the Indian Constitution that prohibits discrimination on the grounds of religion, race, caste, sex, and place of birth. Yet it’s no secret that even today across much of India caste remains the enduring marker of identity, and the singular cause of conflict and violence. After taking a sledgehammer to confront Islamophobia and intolerance in his last film Mulk, Anubhav similarly rips the door off its hinges in this brazen indictment of a centuries-old caste system and the oppression and atrocities it endorses.

The upright cop’s ‘ignorance’ of the ways of the world, is used as a classic device through which many of the ‘customs’ can be ‘explained’. Ranjan is made to learn that Brahmins like Brahmdutt are on the top of the food chain, feeding upon those who belong to the ‘pichadi jaati’, whether they are his own colleagues like Jatav (Mishra), or the three missing young girls who dare to stand up for their rights. ‘Inn logon mein toh aisa hota hi rahta hai’, says a policeman dismissively, no point in getting all stirred up. Ranjan, of course, is primed to do exactly that.

The film is significant not only for what it’s saying, but also how it’s saying it. In one of the best scenes that’s played for laughs, Ayan asks his junior officers to reveal what caste they belong to, only to make the discovery that there is a hierarchy even within lower sub-castes.

The filmmaking too is solid. Anubhav and his cinematographer Ewan Mulligan create a strong sense of foreboding that hangs over Lalgaon, as if darkness and violence looms at every corner. The film is relentless in its commitment to disturb the viewer. Corpses are filmed in uncomfortable close ups, tension is built through slow building background score, and the search for a third girl who’s missing but who might still be alive is all consuming.

Anubhav assembles a crack team of terrific actors to fill out key roles. Manoj Pahwa as an upper-caste cop who warns Ayan not to upset the existing balance is in especially great form, as is Kumud Mishra also playing a cop, but who was born to a sweeper. Mohammed Zeeshan Ayyub has a small but memorable role as a Dalit revolutionary, and Sayani Gupta plays a Dalit girl and his love interest.

There are, of course, bits that rankle. A track involving Ayan’s continuing exchanges with his girlfriend feels tacked-on but never urgent. Then there is the issue of Ayan himself, an upper caste Brahmin, positioned as the saviour of the oppressed and downtrodden. Admirably, however, Ayushmann Khurrana plays the part so elegantly, it’s a performance to marvel at. Never showboating, Ayushmman conveys Ayan’s arc from naive to angry to empathetic with such integrity and nuance that it’s impossible not to root for him. This is easily the actor’s most mature performance and among the best by any actor this year.

Article 15 isn’t just an important film, it's a powerful one and it’s superbly made. It comes at you all kicking and screaming, but this is a film that justifies its tone. Don’t miss it. I’m going with four out of five. It’ll rattle your core.

Article 15

Best Movie Download

Latest bollywood movie download

mkv movie

mkv download

Rajkummar Rao Warns Everyone Of Con-Artists Pretending To Represent Him

Rajkummar Rao is in a strange fix. The Stree star recently warned film fraternity to be cautious about a group of con-artists who are pretending to represent him. He recently took to Twitter to send the cautionary message.

He wrote, “It has recently come to my notice that someone is claiming to represent me. They seem to be a team of con artists who not just claim to represent me but also have someone impersonating me to dupe producers and directors.”

He also urged the filmmakers to not engage in any financial transactions with anyone claiming to represent him that is not his usual agency. He set the records straight by announcing that he is not represented by any independent entity.

On the work front, Rajkummar Rao will be next seen in Mental Hai Kya opposite Kangana Ranaut and will also work with Mouni Roy in Made in China and will also start working on Stree 2 soon after.

Movie reviews: Bharat

Here's what critics are saying about the film Bharat that features Salman Khan, Katrina Kaif, Sunil Grover, Jackie Shroff, Sonali Kulkarni, Disha Patani and Satish Kaushik:

Through the eyes of Bharat, we see the journey of Bharat, our country, through some of its best and worst phases. Director Ali Abbas Zafar manages to capture in 2 hours and 47 minutes the ups and downs that this man and his country wade across. The best part of Bharat the film is that it has something for everyone. 

From the tumultuous scenes of bloodshed of the Partition, and the sundering of Bharat’s family in Lahore, to their arrival in a Delhi refugee camp, in search of a future, Bharat is sure-footed.

There are also far too many songs that aren't melodious and not all of them are as catchy as Slow Motion. Also, tragic tales of the Partition have been done to death in the past. The length, the premise and the many scenes and songs that could've been edited, are what contribute to an overall sense of boredom

Movie reviews: Bharat